Flipped Perspectives: Apartheids Reversed Self and Other in Athol Fugards Blood Knot

Name of Author : Dr. Vinodhini Chinnaswamy

Abstract: The present research article focuses on Fugards derisive condemnation of apartheid in his play Blood Knot. Despite his Caucasian background, Fugard adopts a compassionate perspective towards marginalized South Africans who grapple with conflicting dualities while seeking their true selves and identity within an apartheid,stricken society. The plays central figures, Zach and Morrie, find themselves entangled in an unending cycle of role reversals, shifting between their Self and the societal Other. In a world seemingly devoid of rationale, Fugard strives to establish a mode of survival and a novel, resistant concept of Self that can boldly navigate the path towards transformation and autonomy. With the passage of time, this individual resistance evolves into a wellspring of inner strength. By scrutinizing Fugards narrative choices, this analysis reveals how Blood Knot functions as a microcosm, reflecting the multifaceted impact of apartheids dehumanization and the latent human fortitude it inadvertently kindles. Through a close examination of Fugards artistic techniques, this paper sheds light on the plays broader thematic significance as a testament to the enduring human spirit amid oppressive circumstances.

Keywords : Apartheid, Self, Other, Dichotomous, Identity, Role Reversal and Resistance.

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